The Power of Museums – United Kingdom
written by Luyanda Makoba-Hadebe, CCMS, UKZN
Natalie Crompton from Touchstones
Rochdale (Indra) delivered a thought-provoking workshop that examined the power
of a museum and how that can influence ideas of knowledge and culture. ARROWSA
South to North arts, culture, and heritage for social change (SAUKINIDA) project
transference skills workshop. Natalie is an Engagement Specialist working in
both Heritage and Youth Theatre settings and a Doctoral Candidate at the
University of Salford. The title for Natalie's workshop was: The Power of
A museum is a collection of objects or
items of significance that are identified as necessary. It plays an integral role in
preserving the history of society. Their exhibits tell us stories about "how
our nations, our communities, and our cultures came to be, and without them,
those stories could be forgotten”
Natalie’s workshop skilfully dug into why it is essential to understand
that museum exhibits are not without their cultural and societal blind spots. The
existence of a museum exhibit existence creates accepted knowledge. This leads
to creating what is acceptable as being relevant and vital. Probing questions
in the workshop were used to that showed how important the museum exhibition's
curator is. The questions she asked were:
Has a museum ever had an impact on you?
Who decides what goes into the museum?
What would you have in your museum?
Rianna of Gorsehill Studios and a participant engaging in the workshop
These questions then become who curates the exhibits and to whom
these items are essential. When creating a museum exhibition, the curator makes
decisions regarding which objects to choose for display. Natalie used a great
analogy to show how important a curator is when she asked the group to curate a
biscuit museum. This question's discussion led to everyone agreeing that they
might leave out oatmeal biscuits as they do not like how they taste. This is
the personal blind spot that can lead to a biscuit that could otherwise be particularly
important not being included in the exhibition.
Ayanda of Bergtheil Museum, eThekwini Local History Museums shares her experience
The workshop concluded with showing why there is a need for diverse
curators with a wider perspective will make sure decisions that are made about
what is included as 'knowledge' on a topic are authentic and informed. There is a need to understand why and how to
curate museums in the way that we do.